Quick trip over to West Kirby in the Wirral yesterday. An oddity here is that the tide goes out a long way, and there are three islands (one big enough to have houses) that you can walk out to at low tide. Lots of people do. Of course there are plenty of tide pools, and I had in my mind an image similar to this one of refelctions in Death Valley. Too much wind (and cloud) meant there weren’t any reflections, however, and my favorite image was instead a wide angle shot processed for a slightly dreamy look:
Meanwhile the Mann Island development on the Liverpool waterfront continues to provide amusement. With some low clouds and light pollution it takes on a Bladerunner-like look:
Just back from a long weekend in Pisa. It was my first visit to the city, but of course I had a pretty good (!) idea what to expect. The central area – the Piazza dei Miracoli – was more beautiful than I expected, and the Leaning Tower is, well, remarkably non-perpendicular. As ever at such a place, it’s a fun but basically hopeless challenge to come up with a new photographic angle. Failing that, I followed the usual advice: at an iconic locale, you only need to hint at where you are. My best pic, I think, was this piece of whimsy… tourists posing for the humorous photo of holding up the tower.
Dada did better. With a small sensor Nikon compact low in the grass, she came up with this image than may not be original but was at least new to me!
(I tried to replicate this with a DSLR but it can’t be done… it really only works with a small camera.)
Photography to one side, Pisa and the nearby towns (Siena and Lucca) were simply wonderful. A great weekend.
Shooting star trail photos on film required a generous measure of luck (or experience) to judge whether the reciprocity failure inherent in a lengthy exposure would give a pleasing result. Digital capture makes the process apparently much simpler – you simply shoot a large number of almost consecutive exposures and stack them after the fact to mimic the effect of a long single exposure. The problem is how to treat the foreground. For the sky, “stacking” just means taking the maximum value at each pixel across the sequence of images. If its truly dark, applying the same algorithm to the whole frame will generally give only a silhouette for the foreground, since even at high ISO 20 or 30 seconds won’t be enough. So, instead, you might (a) start the sequence when there’s still a little light in the sky and stack for the maxima (in which case frame #1 will give the whole image, with the rest just contributing the trails), or (b) additively stack the frames to give the equivalent of a super-long exposure without reciprocity failure. In either case, there’s no such thing as a “real” image and it’s an aesthetic decision how bright the foreground is relative to the sky.
Enough theory, here’s my first attempt… looking north toward the Flatirons and Boulder from the Flatirons Vista trail south of town:
To make this image, I stacked 150 20s exposures (ISO 3200, f/5.6, about 135mm) starting about an hour after sunset. My 5D Mk3 didn’t seem to like shooting at 21s intervals (perhaps overhead with high ISO noise reduction?) so the intervals were 22s and as a result there are some gaps evident in the full resolution file. The images were then stacked using StarStax (very simple, free, and does what it says on the box).
A weekend in Steamboat Springs and the north-western corner of Colorado. Didn’t have time to do any landscape photography in Dinosaur National Monument, but Dinosaur Quarry – where fossilized bones have been left exposed in the rock of an ancient stream bed – is well worth seeing. Memo to myself: there are a lot of aspens around Steamboat… worth coming back in the Fall!