For the lunar eclipses in 2014 and 2015 I staked out locations in the Indian Peaks and at the overlook south of Boulder en route to Golden. On both occasions I shot wide angle through the eclipse, ending up with both time lapse footage and a composite image. Those efforts worked out pretty well. For the January 2018 edition I decided to try something different. The moon was going to set over the mountains while still in total eclipse, minutes before dawn. A long telephoto shot from the Lost Gulch Overlook on Flagstaff Mountain looked like it had potential.
My plan, it turned out, was not entirely original. Leaving home at 6am, a line of vehicles snaked up the hairpin bends to the overlook, where cars were parked for a hundred yards along the road! Maybe 50 people were out in the pre-dawn gloom, a fair number of whom sported hefty tripods and serious glass. Of the guest of honor, alas, there was no sign. A bank of low cloud in Boulder Canyon was potentially a scenic addition, but higher clouds completely blocked any view of the moon toward the western horizon. Sunrise didn’t happen either.
In lieu of the eclipse I shot a handful of frames of the peaks peeking through breaks in the clouds, along with some images of the view east to the plains with some low angle light below the clouds.
Drove up to Chautauqua this afternoon to see if there was an image of the supermoon rising over the plains. Nothing doing, but I stayed around till twilight and grabbed a frame looking along US36 heading north out of town.
Back from a week’s vacation in Hawaii with my wife. We spent some time on the North Shore, where the waves and the surfers (setting up for a World Cup event at the weekend) were both fun to watch. Snorkeling at Hanauma Bay and the botanical gardens at Waimea Valley were other highlights. Not really a photo trip, but I shot some images I’m quite pleased with using the Sony RX100 II.
The far north of Canada was in the news today, with the opening of a road (unpaved, there are limits to even the Canadian government’s largesse) between Inuvik and Tuktoyaktuk. The closest I’ve gotten to these outposts is Tombstone Provincial Park, which is near the start of the (also unpaved) Dempster highway that leads across the arctic circle up to Inuvik. It’s truly spectacular country!
Hiking toward Grizzly Lake, Tombstone Provincial Park
(For a glimpse of the Dempster, check out my brother’s timelapse viseo. No gimbals or fancy mounting equipment here, this is reversed footage from a hacked Canon compact strapped to the rear spoiler of our rental car!)
Looking back at images from a late summer visit in 2012 to the Mount Hood wilderness. I have fond memories of this trip. We hiked from the Timberline Lodge across Zigzag canyon to reach the meadows in the Paradise Park area. The wildflower display there was the best I’ve ever seen.
Wildflowers at Paradise Park
Hiking back to the lodge the sunset light on Mount Hood was good.
Mount Hood from the Timberline trail
After main years of being closed due to a washout, the Timberline trail that circumnavigates the mountain is now open again. It’s a tempting prospect!
Upper Muley Twist is my favorite hike in Capitol Reef National Park. I’ve done it three times now, most recently earlier this year with my brother. The video is a mix of Canon 5D3, Sony RX100 II and DJI Osmo shots. Some color balance issues aside, the Osmo really worked remarkably well despite my almost complete lack of practice ahead of time!
Update: I’ve put up a new Capitol Reef hiking page, with images from three or four trips over the years that I’d never gotten around to processing. There are still hikes in the park I haven’t done, including Hall Creek Narrows (though that’s tough to reach on a day hike) and the slot canyons on the east side.
Process of an old slide from 2004… dawn light at Chasm Lake in Rocky Mountain National Park. Sunrise didn’t happen on a return trip with digital equipment, so for now this is the best capture I have of the magical scene.
Experimenting with monochrome versions of images from the Namib desert and Death Valley. Cropped of the sky, sand dunes lend themselves to somewhat abstract and highly textured images, and I think these ones work better in black and white than in color.